Basic Traditional and Wet-on-Wet Oil Painting techniques explained.
|There are many different ways to paint but the
two most commonly used ones are, Traditional (indirect
painting), a slow and controlled method.
Wet-on-wet (direct painting) with this method, the painting is usually completed in one sitting, often referred to alla prima - at the first.
The traditional method often uses a
tonal under-painting as the basis of the picture, usually grey (grisaille)
or brown (bistre) in colour. This under-painting can be
created with acrylic, gouache, ink or thin oil paint, depending on
the finish and style of work.
In the oil on canvas picture above, the drape
of the sails was laid in as a grisaille.
over Lean Principle
Next layers of paint have less solvent.
Next layers are tube paint - no solvent.
Next layers are tube paint with a little oil.
Final layer is tube paint with more oil added.
|When working in the traditional way it is important
to work 'Fat over Lean'.
'Fat' is paint straight from the tube or with linseed oil added, this makes the paint more flexible when dry.
'Lean' is paint with no added oil or thinned with a solvent.
The way it works is to start with paint that has low oil
content (lean), followed by paint with high oil content, then paint with
linseed oil (fat).
With the wet-on-wet method, the painting is completed with, in effect,
one layer of paint which is usually
opaque or semi-opaque. The canvas is first
wetted with a painting medium, either clear or coloured.
The oil paint colours are then applied with a brush and/or a knife and a small amount of painting medium. Colours are applied and left 'as is' or blended using a brush or cloth to create the desired effect.
This method is ideal, especially when working
outside, when the whole of the painting is completed in situ.
All the elements of the painting have to be mentally
handled at the same time, with regard to tone,
composition, shape, form and colour, etc. Because you are not waiting
for paint to dry, which allows you thinking time, you need to know your
materials and techniques well before you start.
In the landscape painting above, the canvas
was first covered with a very thin layer of
Zest-it Clear painting medium.
You can mix paint on the palette, on the brush, with a knife or on the canvas, each will give a different effect - try them all. Mix small amounts of paint at first until you feel better able to judge quantities. Add small amounts, darks will quickly overpower light colours. When mixing colour on the brush, try not to use it like a palette knife, instead pick small amounts of the colour up with the brush.
It's very easy to 'over mix' colours,
this can lead to very flat, dead looking paint. Best avoided! ( 'Making Mud')
Copyright© Jacqui Blackman 1999
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